Komola Collective will be exploring multimedia elements in the R&D of ITCH, a new solo play by Turkish playwright Elvin Aydo du, directed by Filiz Ozcan, with plans to develop the work into a future touring production. ITCH follows a woman navigating power and pressure in a male-dominated workplace. The production uses projection mapping, animation, sound, and movement to express her internal experience and external challenges. This R&D phase will focus on how these creative elements can work together in a visually immersive and emotionally resonant performance environment. The Marketing & Communications Coordinator will work closely with the Producer to manage content across platforms and contribute to building a marketing and audience strategy for the future tour. This freelance role will take place over 3 weeks in September/October 2025, with flexible, part-time working. Job Overview Job Title: Marketing & Communications Coordinator - ITCH (R&D) Essential Experience in social media management or arts marketing Strong written communication skills and understanding of digital engagement Desirable Familiarity with Global Majority-led projects or underrepresented communities in the arts Experience creating reels or video content using tools and software like Canva Post rehearsal updates and creative insights on social media Coordinate with the creative team to gather behind-the-scenes content Contribute to the development of a future tour marketing and audience plan Please send a CV and a short paragraph, video, or audio message (max 3 minutes) covering: We strongly encourage applications from underrepresented communities, including women, non-binary, and Global Majority artists.Job Summary
Job Description
Company: Komola Collective
Location: Redbridge Drama Centre, East London
Fee: ÂŁ450 total (3 days over 3 weeks @ ÂŁ150/day)
Contract: 6 half-day sessions across Sept-Oct 2025
Artform: Theatre
Role: CreativeJob Requirements
Job Responsibilities
How to Apply
- Why you’re interested in this role
- A relevant example of similar work you’ve done
- What inspires or influences your approach to this area of theatre-making